This project and the whole 35mm process was a big ball of kayos too begin with. Not everyone wrote scripts but then you had to sign on to scripts to work on the crew. I personally was on about 7 different scripts and none of mine got chosen so I had the potential of working as a grip or something on a project. Now I don’t have anything against grips but that is not what I do.
So after the storm settles. I end up on the camera team (sighs. . .) for this project. Let’s fast forward to the pre-production and actually building the set. I kind of mixed these two steps because pre-pro was pretty light on my side. I was on the camera team. Then came building the set. I am a fan of building sets, measuring stuff and cutting things with powerful saws. I think it’s fun to build stuff and it brings out the manly man part of every guy when your cutting stuff! lol Things were going good. I’m usually the lead foreman when it came to the school projects and I pretty much was on this one with Kev Dogg. We were building away on this project just like we did on the project Perception but this time we were thrown a different lab teacher who will remained nameless. And he came with an attitude. He out of no where thought I was slacking and not working because I take things seriously but my personality doesn’t put that out and so we had problems. Then I turned into ass hole Doug. So to make a long story short, he tried to take GPS points off of my grade and fail me but I am good with the other teachers so that didn’t happen!
So here we go on the actual production. Long story short. The AD didn’t have her A game on to say the least and we shot a lot of wide shots. I was frustrated with what we were shooting cause we have to edit the footage and from an editors standpoint, editing wide shots is a waste of time. But I was on the camera team and I was learning a lot about the Arri Studio Cam and the Arri 235 camera. We did shoot at a cool location downtown Orlando on Church Street. And another bad not was Krafty. That probably was the worst I have ever had. We shot 12 am to 12 noon and they thought it was a great idea to eat burgers (cold) at 6 am. Terrible! I always ended up leaving and going to McDonald’s. I didn’t tell anybody else cause they probably would of made a scene out of it.
So here is where the fun begins at Full Sail. This is where most students start talking ish and complaining on why their edit sucks. But I always go in and try to save the film and make a good story out of it no matter how bad it was shot. In order to take some wide shots out and make some close ups, I choose to add the anamorphic bars to the movie and use the 3d camera movement in the Avid to create new camera movements and close ups. I was really happy with the outcome from what we started with. I had a team help me out. I had my man Dan Selby come through and help with the sound design. Kev Dogg came through with the color correction. Victor did an amazing after effects intro. Kris Fame did the amazing score. So it was a team effort to get this project done and I think it turned out the best it could. The final cut is pretty long but I stayed on course with the actual script instead of doing the “student editor” thing and re-creating a new story and sucking! lol Be sure to check it out.
Behind The Scenes:
Falling from Grace (35MM short):